三年级小学生朱同，他成绩垫底、调皮捣蛋，每天他的小脑瓜里都会出现一万种幻想。然而有一天，他发现班主任牛老师居然在走廊上追打外星人、草坪中的小花会说话、同学变成了杂草人......无数令人匪夷所思的事件纷至沓来，离奇幻想与学校生活的苦恼交织。朱同能否顺利逃过惩罚，又能否如愿以偿代表学校参加全国广播操比赛？一场现实与奇幻交织的旅程即将展开……

Barbie and Ken are having the time of their lives in the colorful and seemingly perfect world of Barbie Land. However, when they get a chance to go to the real world, they soon discover the joys and perils of living among humans.

2003 film by Marco Tullio Giordana

From June 1944, twelve Japanese seamen are stranded for seven years on an abandoned and forgotten island called Anatahan.

性工作者继续谈，邱礼涛再次挑战社会忌讳，不再是灯红酒绿的夜晚，而是深水埗的企街世界。时光回卷到2000年的香港，2R Race扮演一个‘嫁港伯生仔’的内地女人，不惜出卖肚皮来换居港权取综援，因丈夫工伤逝世而遇上了保险经纪黄秋生。刘美君饰演满口烂牙的企街，染上毒瘾卖肉赚钱，一次勇救小童得到名摄影师森美的同情，39岁转运有望。两位在社会边缘挣扎的女性，卖身也好，卖子宫亦好，企街与嫁个香港人，故事笑中有泪，看尽人生百态。《性工作者十日谈》引起不少回响，编导邱礼涛与杨漪珊再次携手，打造Made in Hong Kong的性工作者电影系列。

故事主要描述社工 Elsie 在夜总会推广性工作者权益及考察过程的见闻，她首先认为娼妓是不适当及不合时宜的称呼，并尝试组织，使社会对香港性工作有更适切及公平的了解。 在十天的时间内，展示出从前在香港大放异彩的情色事业时至今日已变成明日黄花，亦揭示出性工作者内部之间的矛盾、及态度上的分歧，例如家家厌倦从前在写字楼当秘书的苦闷、嫌弃当夜总会妈咪需要管理员工以及保持营业额的压力；Happy 则仍然有所执著及梦想在家乡建立学校；Nana 及 Aida 则仍然活在虚空之中；故事亦述及性工作者作为弱势群体孤苦无依的处境，例如 Nana 不敢面对男朋友的亲戚家人。 故事亦可让观众看到性工作者的不同面貌，分辨夜总会与一楼一凤的不同、男妓及包养。

1989 film by Pedro Almodóvar

2016 film directed by Midi Z

In a grimy provincial industrial city, a talented but unattractive schoolteacher dreams of an operatic career.

2024 Chinese film

1940年代后期，出身望族的李彤（潘虹 饰）、黄惠芬（李克纯 饰）、雷芷苓（肖雄 饰）和张嘉行（卢玲 饰）四姐妹远渡重洋，来到美国留学。49年元旦，她们在学校联谊会上，用歌声抒发对祖国亲人的思念和祝福。不久，李彤因家中巨大变故离开三个女友，谁也不知她去了哪里。李彤的男友陈寅（濮存昕 饰）苦等无着，与惠芬和其他一对新人准备结婚。李彤突然出现在了婚宴上，她近乎疯狂的装扮和举止令朋友们惊诧，原来她已和一个已婚男人同居。时光荏苒，李彤后来又和一个南美商人混在一起，并因酒后滋事关进拘留所，保释出来后，她在惠芬女儿莉莉生日后不久，又不知飘向何方去了......

20岁的三田静香（药师丸博子 饰）是一名热爱表演的纯真女孩，她经常到公园的无人露天剧场练习演技。为了参演剧团的新戏《W的悲剧》，静香参加了主角的选拔考试，最终同期学员菊地香（高木美保 饰）获得出演主角摩子的机会，而静香只获得了只有一句台词的女佣这个角色。
《W的悲剧》巡演大获好评，却在大阪遭遇危机。剧团当家花旦羽鸟翔（三田佳子 饰）的恩客堂原（仲谷升 饰）病发，死在羽鸟的房中。为遮掩丑闻，羽鸟以摩子这个角色作交换，要求静香在媒体面前承认自己和堂原的不伦关系。为了梦寐以求的角色，静香接受了羽鸟的请求……

1987 film by Huang Shuqin

因为无法忍受身在朝鲜贫穷的生活和恶劣的生存环境，走投无路的青年全胜喆（朴正范 饰）逃到了韩国，成为了一名整日里东躲西藏的脱北者。来到韩国，全胜喆的生活条件有了很大的改善，然而远离故土，心中的苦闷不言而喻。
因为身份的问题，全胜喆无法拥有固定的住所和稳定的工作，更别提朝夕相处能够相互吐露心事的同事和朋友了，孤独的他身边只有一只流浪狗常年陪伴。某日，全胜喆结识了名为淑英（姜恩珍 饰）的美丽女子，全胜喆瞬间坠入了情网，可是，他深知自己的感情不会开花结果，只能将爱意深深埋藏在心底。一场蓄谋已久的诈骗使得全胜喆损失了一大笔巨款，使得他再度品尝到了绝望的滋味。

Everything changes for the Ing family when the husband and father is diagnosed with terminal cancer. The mother, who is the main supporter has become more isolated, while the son is no longer certain about his future plans although he has been accepted to study abroad. The conflicted family returns to the father’s hometown for the tomb-sweeping ritual, but his original mountain tomb has been replaced by a newly built hotel.

2006 film directed by Lü Yue

As with everything in life, the same goes for East Lake, a threatened lake near the expanding mega city of Wuhan. You can get worked up about it and get involved - or you can think, it won’t affect me. Fortunately there’s the intriguing new film by Li Luo, which brings to an end these doubts. East Lake (Dong Hu) is a scenic area in the city of Wuhan, threatened by new amusement parks, high-rises and even an airport. ‘East Lake is getting smaller and smaller, but it's bigger and bigger in my memory,’ wrote a friend to the Canada-based Chinese filmmaker Li Luo as a result of the development. In a lucid way, the film investigates how the lake is linked to the people, leading to reflection on identity and survival in today’s China. The form is varied and free. Li uses documentary as well as fictional style elements, and often an ironic mixture of both. © iffr.com

影片2012年获温哥华国际电影节龙虎奖，2013年入选鹿特丹国际电影节“光明未来”单元和纽约“新作品／新导演”影展，2013年获得第十届中国独立影像展剧情片竞赛单元最高奖。
There are surprises every year in China’s embattled indie sector, but few as unexpected as this one. Li Luo has take n three chapters o f the Ming Dynasty novel Journey to the West (aka Monkey) and adapted the story of the short-term death of Emperor Li Shimin to the modern China of officials, bureaucrats and gangsters. The Dragon King perverts the course of nature and is punished with execution; the emperor tried to step in to prevent it happening, but he didn’t allow for the power of dreams. Now Li is lying on his deathbed, beset by stray ghosts. Can he be saved? The storytelling explores several layers of "reality," but coalesces into an image of China’s perennial absurdity: a new-old world where peace always breeds wealth. Brilliant, straight-faced political satire. The "ungrammatical" title, by the way, references a Chinese movie of 1927.

2019 Chinese film

2020 film