An in-depth portrayal of the university exam preparation that Chinese students undergo during their senior year of high school. For many students this exam is a ticket to a better life, so the stakes are high.

The story of the rape of Nanking, one of the most tragic events in history. In 1937, the invading Japanese army murdered over 200,000 and raped tens of thousands of Chinese. In the midst of this horror, a small group of Western expatriates banded together to save 250,000. Nanking shows the tremendous impact individuals can make on the course of history.

1960 film by Jean Rouch, Edgar Morin

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

这是Riefenstahl最新最动人的水下体验。电影历时近30年完成，编辑了自1974年到2000年Riefenstahl

制作的关于印度洋中两千多种深水生物的脚本。她心中的愿望是通过这些影像让观众知道如果不能妥善保

护珊瑚礁，他们失去的将是什么。

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

1935 Nazi propaganda film by Leni Riefenstahl about the 1934 Nazi Party Congress in Nuremberg

The 400 million people of China are heirs to a great civilization, as their pagodas and stone lions can attest. But they are under attack from the Japanese. Civilian refugees walk, stumble, crawl to escape the destruction of their cities... While in the China of tradition, water buffalo still work the paddies and camels cross the desert, modern China is now a republic founded by Dr. Sun Yat-sen, with modern schools, heavy industry, large engineering projects... The government of Chiang Kai-shek resists the Japanese invasion from the coast. Madame Chiang receives a cheque from the U.S.A. for war relief. War production continues in distant villages safe from the grasp of the Japanese. With modern weapons the Chinese are pursuing their struggle behind enemy lines. And still their opponent persists in his reprisal bombings of civilian targets. "Will these people win?"

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

纪录片创作的指导书，非常详尽。很有价值！

海拨3600米的青海省祈连山区,矿工们依靠山区上的小煤窑艰难度日。在祈连山的皑皑白雪下面，在黑暗的窑洞里，有一种生活在延续着，如矿工帽檐上那忽明忽灭的煤油灯火。挖炭得钱何所营，身上衣裳口中食。万般辛苦，只是“为了生存”！
拍摄时，矿主的子弹曾在他头上呼啸而过.

Documentary giving a sense of the feelings and attitudes of the residents of Beijing.

这部制作于1986年的影片，以极其优美的画面，展示了印度圣城伯那斯的宗教和日常生活。
由于它那印象画派的风格以及完全抛弃解说的表达方法，导致了记录电影界长达数十年的争论。最终，被公认为记录影像史上的经典之作。

剧情梗概：
此片无演员，只有旁白，这部影片将带领影迷进入美丽的海底世界，配上美妙的音乐，以音画来表现不同的生活面貌与心灵层面。我们将可看到海底在日出与日落之间的神奇变化与景观，吕克·贝松设定了几个主题来描绘"海底的一天"，主题包括有"内心"、"旋律"、"悸动"、"灵魂"、"黑暗"、"心灵"、"温柔"、"爱"最后是"恨"。全片在海底拍摄，动物是片中唯一的演员。海蓝色是此片的主色调。配上赛拉的玄妙乐音，吕克·贝松将更完整地呈现大海所孕函的丰富色彩……
说明：
此片是1991年威尼斯影展的开幕大片。亚特兰提斯是传说中一片被淹没的神秘陆地，位于大西洋底下。吕克·贝松想要证实海底下的世界，也有一个核我们社会一样的组织。或许也可以说"亚特兰提斯"是"碧海蓝天"衍伸出来的副命题。此片是吕克·贝松摒弃传统拍摄手法的作品，一部纯视觉享受的电影，没有传统剧本，没有人类对话，只有音画紧密结合，完全依赖吕克·贝松与配乐师艾瑞克赛拉共同研议脚本。吕克·贝松以动物间的求爱，群斗，追逐等场面来丰富剧情，拍片足迹遍及世界各地海域，包括有苏格兰，澳大利亚，大洋洲，哥伦比亚，佛罗里达，巴拿马群岛等海域，甚至北极极地海域的冰雪景观或多方战端的红海海域。吕克·贝松认为这是他最后一部讨论有关海洋的影片。这也是一部充满环保意识的影片，全片只有悠游大海的鱼，毫无人影，是吕克·贝松又一次冒险之大不讳之作。

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

在中国四川大凉山，生活着依然沿袭古老传统的彝族人，他们的大祭司叫毕摩。千百年来，毕摩靠念诵各种经文、做法事，来沟通彝族人与天地鬼神的相应。本片呈现了三位毕摩的现世生活状态——咒人毕摩，他家世代以咒人、咒鬼而闻名，是凶性法事的主持者，只要他念动咒语，就会有人伤病或死去……
如今，政府禁止做此类法事，咒人毕摩悲哀地失去了他的职业；招魂毕摩，是人所尊敬的善性法事的毕摩，他为人治病，招魂祈福，但他内心却积有痛苦的往事……
为了生出儿子，把毕摩的衣钵传承下去，他先后娶了四位妻子，当招魂毕摩在六十四岁得到儿子时，他的前三位妻子已遭抛弃，先后悲伤地死去；村官毕摩，在彝族的各色毕摩里，他是少有的还担任着共产党干部角色的，在人间、神界，他都拥有着权力，由于他自负地依恃着自己的权势，在村长选举中擅自做主，违反了选举法而被政府免职。时代在变化，古老的传统，毕摩的故事却在继续着……