For most of the world, consumption has been the unquestioned duty of every individual. Then garbage activist Annie Leonard brought her two-hour lecture to Free Range who helped her turn it into a 20-minute animated revolution. Shown in thousands of classrooms, endlessly blasted by Fox News, viewed more than 10 million times, The Store of Stuff finally opens the door to a serious cultural dialog about the costs of consumption.

A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.

Six vignettes explore love and desire in Rome, from prostitution and heartache to unwed motherhood and the male gaze.

1963 film by Éric Rohmer

1962 film by Éric Rohmer

“除了一个小秘密，我只是一个极其平凡的人。”
这是豆瓣首部品牌影片的第一句台词，也是豆瓣十年来首次通过影像与大众沟通的第一句话。
这是一首影像诗，也像一个寓言故事，所以愿你带着阅读诗的心情来观看它。多年来，豆瓣对受众的理解，抑或自我解读，都将通过这幕主观视觉化的影像纪录得以告白释意，并还原为别具意义的画面与声音，袒露在你的面前。这是一个人穿梭自我精神世界的旅程，也是一群人交换精神感受的心声。如果你在影片中，看见自己的影子，你可以说自己很豆瓣；如果你在影片中，看见一群人的模样，那他们，就是豆瓣，就是我们的精神角落。
豆瓣首部品牌影片《我们的精神角落》
除了一个小秘密
我只是一个极其平凡的人
Other than a small secret
I'm just an ordinary person

我张开双臂拥抱世界
世界也拥抱我
I embrace the world with open arms
And the world embraces me

我经历的
或未经历的
都是我想表达的
all that I haveexperienced
and that which Iam yet to experience
is what I want toexpress

我自由，渴望交流
懂得与人相处
但不强求共鸣
I'm free-spirited and crave conversation
I seek to understand how best to communicate with others
Whilst never seeking recognition

我勇敢，热爱和平
总奋不顾身的怀疑
怀疑…我在哪里，该去哪里
I’m brave, peace-loving
lack confidence in this
Where am I, and where should I go

童年，或许还有过些…
可和你一样
小时候的事，只有大人才记得
In childhood, perhaps...
But just like you
The story of childhood is left only in the memory of adults

我健康，偶尔脆弱
但从不缺少照顾
也尝过
爱情的滋味，真正的爱情
I'm strong, sometimes vulnerable
But never lack care
I have tasted love
The taste of true love

如果不联络
朋友们并不知道我在哪里
If I do not make myself known
friends will have no idea where to find me

但他们明白
除了这个小秘密
我只是
一个极其平凡的人
But they know that
Other than this small secret
I'm just
an ordinary person

我有时
会张开双臂拥抱世界
Sometimes
I embrace the world with open arms

有时
我只想一个人
And sometimes
I hope to leave the world behind

我们的精神角落
My Inner Space

豆瓣
Douban

1980 film

某日，小偷（陈亦飞 饰）在月色的遮掩之下潜入一间民宅实施盗窃，就在他干得起劲之时，门开了，原来是屋子的女主人丽川（朱珠 饰）回来了。这突如其来的意外将小偷吓了一跳，慌不择路的他躲进了床下。
丽川和前男友分刚刚分手不久，似乎是由于一直无法走出前一段刻骨铭心的感情，丽川至今依旧单身一人，这天，名为郑重（廖凡 饰）的英俊男子登门拜访，两个人都知道，这个时间点到来的郑重内心里打着怎样的算盘。半推半就之下，丽川接受了郑重的追求，就这样，床下躲着心惊胆战的不速之客，床上躺着一双言不由衷的男女，在这个诡异而又香艳的场面之下，小偷该如何脱身呢？

During the holiday season, when the animals of the Central Park Zoo are preparing for Christmas, Private, the youngest of the penguins notices that the Polar Bear is all alone. Assured that nobody should have to spend Christmas alone, Private goes into the city for some last-minute Christmas shopping. Along the way, he gets stuffed into a stocking

Your favorite Madagascar pals are back in an all-new adventure! Alex's favorite holiday, Valentine's Day, brings hilarious surprises and excitement for the entire gang. Melman plans a big surprise for Gloria, Marty tries to impress a new friend and everyone wants to get their hands on King Julien's love potion. You'll fall in LOVE with Madly Madagascar!

“他”（艾伦·瑞克曼 Alan Rickman 饰）是伦敦一名默默无闻的图书编辑，经历了写作生涯的惨痛失败后，只能在工作之余写写诗，一边唾弃着他平淡无奇的工作，一边为曾经的失败爱情心怀遗憾，渐入颓唐中年。
“她”（艾玛·汤普森 Emma Thompson 饰）是“他”的 旧情人，离开他之后嫁给了一位极负盛名的作家，在巴黎过着光鲜滋润的生活。
分开15年后，两人再度相约在以前常去的餐厅共进午餐。满怀期待赴宴的“他”却发现，餐厅已面目全改，曾经熟悉的一切无迹可寻。“她”依然亮丽，却少了他记忆中的样子，食物依旧，话题却不尽人意。这一切只是他沉溺诗歌的幻想，还是他真的已经随着那老去的一切被遗弃了？
本片改编自克里斯托弗·里德（Christopher Reid）的同名叙事诗，诗人携该诗于2010年获柯斯达文学奖（Costa Book Awards）“年度代表作”奖。

1992 Czech animated short film directed by Jan Švankmajer

阿涅斯·瓦尔达04年的纪录片《艾丽丝华妲光影定格》，这是香港的译名，影片的原名是Cinévardaphoto ，其实是瓦尔达2004、1982、1963年，三个不同年代拍摄的三部纪录短片：《伊迪莎、泰迪熊及其它》（2004）、《尤利西斯》（1982）、《你好，古巴》（1983）。贯穿这三部纪录片的主题则是照片。这三部纪录短片在顺序上呼应了影片的片名“Cinevardaphoto”。 《伊迪莎、泰迪熊及其它》代表着传统电影技法(Cine)，瓦达本人的姓被用来象征个人化与诗意的《尤里西斯》，至于《古巴，你好》，自然是Photo了。
瓦尔达不仅是法国电影“新浪潮”中的重要一员，导演了大量的剧情电影和纪录片，也是一个卓有成就的摄影师，拍摄出版了不少的摄影集。我看过她镜头中的法国电影人，工作状态的生活状态的，抓拍得十分生动。也许这个原因，瓦尔达有很深的“图片情结”，这一点在她的纪录片中表现得尤为突出。在《我和拾穗者》中，从米勒的名画到瓦尔达各地收藏的明信片，都体现了她的这种情怀。04年的这部《艾丽丝华妲光影定格》更是将这种“图片情结”发挥到极致。影片中的三个短片都与照片有关，第一部《伊迪莎、泰迪熊及其它》记录一个用数十年时间收集含有泰迪熊的照片的女子在慕尼黑做的展览，第二部《尤里西斯》则以瓦尔达30年前拍摄的一张照片为线索，由照片、旁白、以及动态摄影构成，而《古巴，你好》则完全放弃使用摄影机，完全由呆照组成，运动感则依靠剪辑创造，类似于克里斯·马克的《堤》。瓦尔达将三部纪录短片串联在一起，体现了瓦达对于影像及电影本质的思考。其实，电影依靠的无非是人生理上的似动现象，每秒钟24个画格本来就是静止的影像。因此，不用摄影机未必不能拍电影。

A young girl who treated her pets as comrades and liked to play with construction blocks, experiences her life changing after the dissolution of the Soviet Union.

1982 film by Agnès Varda

Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived. (Written by Guy Bellinger, from IMDB)

1963 film by Agnès Varda

Impressions of the rue Mouffetard, Paris 5, through the eyes of a pregnant woman.

More than 40 years after making "Cléo de 5 à 7," Agnès Varda invites her star, two other cast members, and her assistant directors to look back. She takes us through the film, from opening scene to the end, visiting its Paris locales, placing her aged actors in the same spots, telling stories, and listening to others' reflections on the making of the film. She and they talk about making a film on a low budget, its showing at Cannes, and trying to fix a problem in the last shot. Her assistant directors discuss casting, costumes, sets, and the ways the film changed their approaches to filmmaking. Scenes from "Cléo" are included throughout the documentary.