Doll Face follows a machine’s struggle to construct its own identity. The machine with a doll face mimics images presented on a television screen and ultimately self-destructs from its inability to adopt a satisfactory visage. Created in its entirety by Andy Huang, Doll Face presents a visual account of desires misplaced and identities fractured by our technological extension into the future.

新的一季中，拖线（Larry the Cable Guy 配音）好玩有趣而想象力十足的幻想故事仍在继续。在新的冒险中，他曾经和一架也叫拖线的UFO宝宝玩耍，学会了飞翔的本领；也曾远赴重洋，以进口车的身份在东京参加甩尾王大比拼；还以“拖线喀”的绰号混迹摔角界，挑战一辆辆强壮的大脚卡车；还当过重金属歌手、宇航员、私人侦探，真可谓经历丰富。当然他的好哥们闪电麦昆（Keith Ferguson 配音）还是不相信拖线的信口开河，可是每一次又不由自主地成为拖线故事中的重要角色。真真假假，分辨不清。在私人侦探中，短片还揭示了拖线缺少一盏车头灯的因由。
拖线狂想曲》为皮克斯继《赛车总动员》后，以配角拖线为主角制作的系列动画短片，供迪斯尼电视频道播放。

A Pixar short about a lost-and-found box and the unseen monster within.

A lonely typographer with a cruel speech impediment but an eloquent inner voice must face his greatest fear.

A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.

《渡口》取材于郭熙志的家乡铜陵，地点是有着140年历史的清字巷渡口，时间是渡口所属轮船公司实行股份制改制的1998年，事件是下岗工人砸了渡船，渡口被迫停渡。郭熙志没有拘泥于“三一律”，而是选择受到停渡事件影响的三个家庭作为“人物”，用镜头“关注拍摄对象的日常生活以及他们对自己生存的选择”。

墨西哥某小镇，又迎来一年一度的亡灵节。米格尔一家上下正为节日做着最后的准备，而他家的狗狗但丁则百无聊赖，在街角的垃圾桶里翻找吃食。它不小心撞翻垃圾桶，结果被里面的一根骨头所吸引。对它来说，这简直是梦寐以求的大发现。它开心地叼起骨头，可是那根骨头仿佛受到磁力吸引一般，眼看要被吸到其他的地方。到嘴的食物怎能就此丢掉，但丁紧紧咬住骨头，却还是生拉硬拽到未知的方向。于是乎，这一路上的摊位和摆设就被但丁和这根骨头弄得乱七八糟！
本片是皮克斯长篇动画《寻梦环游记》的番外短篇动画。

拍摄于2008年，内容是中国的爱国者抵抗家乐福超市。

2015年，Noisey 推出系列纪录片《亚特兰大》，让全世界直观地了解到trap music（陷阱音乐）及其背后的文化场景。随后trap迅速成为hip-hop世界不可逆转的潮流，并以简易复制、野蛮生长的姿态传播到世界各个角落。新的技术降低了制作的门槛，再混合上街头潮流、互联网文化，Trap在中国的墙内也逐渐形成了气候。可让我们没想到的是，当下最火热的场景，并没有出现在北上广中的任何一个，而是成都和重庆——两个中国西部最大的城市。 Wes Chen是中文说唱圈的老司机，他主持一档hip-hop电台节目已经有10年了，见识过各种本地场景的兴衰，也懂得甄别才华与伪装。Noisey摄制组诚邀Wes主持，共同奔赴川渝，拜访了两个在本地最有影响力的音乐厂牌：来自成都的CDC说唱会馆，和来自重庆的GO$H音乐。
中国制造的trap，方言说唱的新境界，新一代rapper的生活方式和价值观，相对宽松的文化土壤养育出新的亚文化场景，以及两个厂牌（城市）间若隐若现的竞争意味，一起构成了这部系列纪录片——《川渝陷阱》。一路上我们反复在问同一个问题：什么是trap？相信看完本片，你会有自己的答案。

A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene.

A writer named Algernon (but called Harry by his friends) buys a picture of a boat on a lake, and his obsession with it renders normal life impossible.

由美国环球影片公司、照明娱乐联手打造的人气动画喜剧《神偷奶爸3》重磅归来，第三部依然延续前作风格，贱萌小黄人、蠢萌大盗、可爱萝莉等亮眼元素悉数回归，在此基础上，片方还特意打造了“小黄人&格鲁日记”系列短片，以番外小故事的形式来记录小黄人们的可爱日常。
第1部《速度与激萌》。第2部《我错了》 。

该条目为纪录短片，有别于《摇摇晃晃的人间》
，仅在优酷提供播放。标记前请知悉！- 豆瓣电影团队

一部一小时长特别片，由杰曼科尔从美国中西部到南部的旅行经历中所产生的个人或政治共鸣的影像记录所组成，同时片中JK的说唱歌曲也成为了一场关于黑人种族在白人强权世界中坚韧与自尊的宏大对话。
An hourlong special that combines documentary footage of Jermaine Cole's travels to various cities through the Midwest and the South that have personal or political resonance for him with in situ music videos that locate Jermaine Cole's songs as part of a larger conversation about black resilience and dignity under the conditions of white supremacy.

IN SHANGHAI
In Shanghai Lou Ye, 2001
short Film
In Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...
Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film .
"You can guess who they are, but we can never really know "
Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .
The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .
Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .
Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "
By these words Mr. Lou Ye, I bear you my esteem .

2011 film by Wang Shaudi

卑鄙的我2番外