21世纪之初，名为“豆瓣”的网站营运而生，截至2009年底，已经有两千八百多万注册用户。网友们通过豆瓣找到自己喜欢的音乐、电影、书籍以及各种同好，这里俨然成为线上线下交互性极强的网站。而很少有人知晓，豆瓣创立之初以推荐书籍为主。本片采访了生活在广州的数名年轻人，听他们谈论与豆瓣读书的缘分。在信息便利化和快捷化的年代，豆瓣以其独特的算法将大量好书推荐给用户，使他们轻松找到自己心仪的类型作品，从而大大丰富了读者的阅读领域。
这不是一个快餐化的碎片阅读时代，在豆瓣这座虚拟读书馆里，人们更多地学会了自主学习。

夜深人静，面色阴郁的小偷（王小山 饰）悄悄弄开某户人家的房门。黑暗中他实现了一系列的盗窃，还不忘享用一下主人家美酒和按摩椅。正当他兀自陶醉其中时，突然房门开启，男女主人张诚（沈腾 饰）和李小云（李昕芸 饰）回到家中。二人情欲正浓，根本不知刚好把一个小偷堵在家中。小偷打算趁夫妻俩不注意逃出去，谁知大门被二人反锁，钥匙则在张成扔在地上的外裤口袋里。当然在这一过程中男女主人状况不断，小偷只得被迫在各个房间的角落里藏来藏去。
就在此时，一枚失踪的避孕套引发了夫妻二人连番争吵，夫妻间的各种不信任以及各种鸡毛蒜皮，搅坏了男女主人的雅兴，郁闷了小偷原本还算不错的心情……

有上面，就有下面；有上去，就有下来。

The inhabitants of the village of Xi Yang Tang lead lives of extreme poverty and hardship. The children spend most of their time looking after their little brothers and sisters, and helping their parents with everyday chores.

Quote:
By the time Michelangelo Antonioni released Michelangelo Eye to EyeBeyond the Clouds in 1995, his keen sense of patient, intimate observation had seemed to give way to a kind of leering, gratuitous voyeurism in the film's repeated, over-lingering shots of the female form. It is, however, precisely this painstaking attention to the voluptuousness of form and tactileness of surfaces that makes his subsequent short film, Michelangelo Eye to Eye particularly sensual and textural in its execution. Prefaced with a text description of the filmmaker's recent health problems (in particular, a debilitating stroke that left him partially paralyzed), the film opens with a shot of a frail Antonioni emerging from the shadows as he walks in slow, awkward gait into an unpopulated hall where Michelangelo Buonarotti's marble statue of Moses - a scaled down version of an ambitiously conceived wall tomb for Pope Julius II - is once again in display after a period of meticulous restoration. Composed of a series of detailed observations of the sculpture's composition from several camera angles and vantage points, Antonioni continually refocuses to the shot of Moses' opaque gaze - an image that is sublimely matched by the filmmaker's own occluded, returned gaze as he examines the object of his attention through limpid, watery eyes. In addition to creating a thorough, meticulous, and deliberative objective study of the Renaissance sculpture's robust physical form and timeless, universal beauty, Antonioni's juxtaposition of his own weakened, aging frame against the larger-than-life sculpture of Moses creates an indelible, thoughtful, and poignant image on human frailty, transience, creative compromise, and the enduring legacy of - and mortal transcendence through - enlightened art.
filmref.com

小张来到导演家，给导演讲了重口味的故事，想要说服导演借给他DV拍摄纪录片。而导演也给小张讲了故事，作为拒绝的理由。

Quiet 10-year-old Zsofi has just changed schools. Feeling out of place at first, she is quickly admitted to the school’s famous choir and befriends her popular classmate Liza. Soon, they have to stand up united against their choir master, who isn’t quite the friendly and inspirational teacher they first thought she was.

两届金马奖最佳纪录片导演周浩在2015年拍摄了纪录短片《小彪和狗》。15岁的贵州初二学生小彪在片中向他的同学们谈到自己的狗。

500,000 years ago, the modern man appears. He treats the animals and nature as a consumer, with frivolity and cruelty, and pridefully turns the world into a dumpster. However, someone is watching.

全片观看地址：

本来只想拍一部简单的巡演纪录片，结果弄巧成拙，出了人命。半夜警察家访，小老虎哆嗦着说：HipHop不需要为人民服务。从广州的爬行动物商店，到厦门的海边废墟，西安银行劫匪，吃饭的嘴和女人的腿。行行色色，谁都有可能杀了你。HipHop是仇富的音乐，也是炫富的音乐，黄粱一梦， 没头没脑。小老虎说人类就是扯淡动物，他不想当爸爸。为什么老在强调HipHop？难道这是中国第一部HipHop悬疑影片？不，是第二部。老子不做天下第一，想要性感，还看老二。

The short-tempered Daffy Duck must improvise madly as the backgrounds, his costumes, the soundtrack, even his physical form, shifts and changes at the whim of the animator.

Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.

1924 film

Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer is taken on a journey through this city, as if experiencing it from the mind and through the eyes of Marker. His thoughts and observations about the traditions, history, and banalities of everyday life in Peking are woven together in elegant fashion.

Robert De Niro and Leonardo DiCaprio must compete for the lead role in Martin Scorsese's next film.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.

1970 film by Ernie Gehr

A Mother's sickly daughter is taken from her by death. The Mother persues, but what she learns causes her to make a tough choice.