A millionaire past his prime and his young wife arrive in Kenya circa 1940 to find that the other affluent British expatriates are living large as the homefront gears up for war. They are busy swapping partners, doing drugs, and attending lavish parties and horse races. She begins a torrid affair with one of the bon vivants, and her husband finds out and confronts them. The husband and wife decide to break up peacefully, but the bon vivant is murdered and all the evidence points to the husband.

The young D'Artagnan arrives in Paris with dreams of becoming a King's musketeer. He meets and quarrels with three men, Athos, Porthos, and Aramis, each of whom challenges him to a duel. D'Artagnan finds out they are musketeers and is invited to join them in their efforts to oppose Cardinal Richelieu, who wishes to increase his already considerable power over the King. D'Artagnan must also juggle affairs with the charming Constance Bonancieux and the passionate Lady De Winter, a secret agent for the Cardinal.

Arising out of the horror of the Spanish Civil War, a candidate for canonization is investigated by a journalist who discovers his own estranged father had a deep, dark and devastating connection to the saint's life.While researching the life of Josemaria Escriva, the controversial founder of Opus Dei, the young journalist Robert uncovers hidden stories of his estranged father Manolo, and is taken on a journey through the dark, terrible secrets of his family’s past.

In the 16th century, the daughter of a Spanish nobleman joins a convent and becomes a spiritual leader.

Omar Sharif narrates and others discuss the making of Doctor Zhivago.

A virtuous monk descends to the depths of sin and depravity after Satan sends an unholy temptress to lead him astray.

该片讲述了一个夫妻关系日益冷淡的家庭里发生的故事。出演过众多西班牙经典影片的杰拉丁·卓别林称这是她“读到的最出色的三个剧本之一”，她在片中扮演一名老年痴呆症患者——“我不想她在电影里说一个词，就像她的父亲（查理）一样”，导演阿古斯蒂·维拉表示，“片中的人们相信，他们唯一应该害怕的就是蚊子，他们相信在生活中只要把自己保护起来，就能获得幸福。然而这种幸福会变得呆滞，就像不流动的水，会变成腐臭。这就是为什么蚊子会如狼一样可怕。”影片在2010年7月的捷克克罗维发利电影节上摘得了水晶球最高大奖。

In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules and gets in a lot of trouble. (Z.P.G. stands for Zero Population Growth).

In 19th century Paris, Bette Fischer, a poor and homely spinster, forms an alliance with the seductive courtesan Valerie Marneffe to orchestrate revenge on her handsome and wealthy relatives.

利維特一開場已經搞神秘：黃昏的街頭，一幫人齊集操上某私宅，然後和影機同謀，靜觀單位兩女一男私生活─名副其實砸破第四面牆，還是徹頭徹尾滿足偷窺慾？挑釁只是序幕。被瓢竊的舞台導演大受啟發，邀三演員到自己大宅，照辦煮碗做場騷，不過上演的卻是導演的真實戀情，當然是藝術加工一角度。珍寶金和謝拉婷卓別靈化身莎蓮與茱莉，搬住大宅排演七天，黐孖妹如入愛麗絲幻境，捲進了戀情七角錯，對象有現實中人，還有幻影，更有一個莎士比亞專家兼打雜。愛很容易，情感原來很脆弱。利維特媽哩媽哩空，兜亂真與假、現實與虛構，人生是否模仿藝術的大問題，在此都顯得膚淺了。

Rodrigo, a film director, intends to make a film about the Conquest in a remote village in the Bolivian altiplano. Initially receptive to the idea, the Indian community living there reacts violently when some local wildlife is destroyed. Para recibir el canto de los pájaros is a little more subtle in its portrayal of cultural conflict than Sanjinés's earlier film, Yawar Mallku — where violence is seen as the only legitimate response to western cultural domination — for it not only shows that not all that is western is bad, but it even highlights negative elements within Andean culture. Most important for this discussion, Para recibir el canto de los pájaros plays with the film-within-a-film convention inherited from Hollywood, but it sometimes tricks the spectator making him unsure as to whether a scene is part of the film or part of the everyday reality of a film crew from La Paz in the Andes. Underlying the scene in which the producer, Pedro Barrón, emerges from the pit in which he has been trapped, and sees his Conquistador double walk nonchalantly past him, is the crucial notion of self-consciousness. Pedro realizes that his role as film producer in the late twentieth century is a re-enactment of 'his' role as Conquistador in the early sixteenth century. The spectator is drawn into this playing-off of two time-continuums, and in effect achieves a double-consciousness in which he can see Aymara culture from within and also from without.
A heavy-handed allegory by a veteran Bolivian film-maker about the racism endemic in his country and the more universal inability to learn from history. It opens with masked conquistadors (the harquebus angels) lined against the Andean altiplano skyline, as a mainly mestizo film crew track up the hill like Aguirre's invading army in Herzog's Wrath of God. Thus begins a series of broad parallels, culminating in a siege, whereby the crew, assailed by the Indian community (who have refused to be in their historical movie), almost resort to the use of the ancient harquebuses in their possession. The song of the title refers to the birds of the Indians' annual music festival: the crew shoot them for sport. Beautiful scenery.

Henry Roubier, a French promoter, and Enrico Mazzini, an Italian, have signed an agreement guaranteeing them a stranglehold on European highways. While driving on the roads of the south, Roubier takes two young hitchhikers, but an unfortunate swerve the car rushes by Henri and its occupants on the top of a pine tree onto the side of a cliff.

琼·路易斯·乔尔奇（1947-2000）是多米尼加的一位电影制片人，也是一部充满情欲和越轨作品的作者。这部电影既献给这位无名英雄——世界上大多数人都不知道，但在他的祖国受到尊敬——也全心全意融入他的宇宙。
上了年纪的朋克天后维拉来到圣多明各，为她挚爱的朋友让-路易斯-乔 尔奇导演了一部未完成的作品：一部名为《火热与狂欢》的音乐电影。欢迎她的还有另外两位老朋友，制片人Víctor和摄影师Martín。这三人年轻时的黄金岁月是作为一个艺术团在一起的。加入他们的是亨利，维拉的忠实编舞。随着准备工作的进行和拍摄开始在众多迷人的社交聚会，冲突和死亡也开始蔓延到闹鬼的生产。
劳拉·阿米莉亚·古兹姆·恩和以色列第七任董事会成员的合作，充满了活泼的热带气氛，是一个大胆的创造性的思考，对衰老过程和肉身的乐趣。
Jean-Louis Jorge (1947-2000) was a Dominican filmmaker and the author of a sensual and transgressive body of work. This film is both dedicated to this unsung hero - unknown to most of the world but revered in his home country – and wholeheartedly embedded in his universe.
Aging punk diva Vera arrives in Santo Domingo to direct her beloved friend Jean-Louis Jorge’s unfinished project: a musical film entitled ‘La fiera y la fiesta’. Welcoming her are two other old friends, Víctor, the producer, and Martín, the cinematographer. The trio spent the golden years of their youth together as an artistic troupe. Joining them is Henry, Vera’s loyal choreographer. As preparations get under way and shooting commences amidst numerous glamorous social gatherings, conflict and death also begin to creep up on the haunted production.
Pervaded by a libidinous tropical atmosphere, Laura Amelia Guzmán and Israel Cárdenas’ seventh directorial collaboration is a boldly inventive meditation on the ageing process and the pleasures of the flesh.

Buffalo Bill plans to put on his own Wild West sideshow, and Chief Sitting Bull has agreed to appear in it. However, Sitting Bull has his own hidden agenda, involving the President and General Custer.

Robert Altman offers his unique take on the institution of marriage with this raucous comedy about a wedding reception that quickly turns chaotic. When the Corellis and Brenners--two completely opposite families--convene to watch their children tie the knot, everything seems too good to be true. But when the Brenner family matriarch dies before the reception has even begun, the boozing Dr. Jules Meecham (Howard Duff) decides that they better wait to break the news to friends and family, and as everyone continues to celebrate, it becomes evident that things aren't what they appear to be on the surface. Affairs are initiated and alcohol is ingested, leading up to a thunderstorm--and the most shocking secret of all. Altman assembles a who's who of American comediennes with this star-studded farce in which he compassionately mocks marriage and family life.

Eva and Kat enjoy a carefree existence on their houseboat on a London canal. Until Eva's dream of becoming a mother is reignited by the death of their pet. Kat just wants to get a new cat. But when Kat's best friend, Roger, visits from Barcelona, they decide in a moment of drunkenness that he can be Eva's sperm donor. But what are the consequences for the lesbian couple, the biological father, the child and their relationships with one another?

Roseland' is a film made up of three separate stories set in the legendary Roseland Ballroom in Manhattan. The first, entitled 'The Waltz' features the wonderful Teresa Wright as a widow who comes to Roseland in order to sustain the memory of her late husband. She meets Stan (Lou Jacobi), who offers her an opportunity for happiness in the present. 'The Hustle' concerns Christopher Walken as a gigolo with three women in his life, all of whom depend on him for different degrees of romance and companionship. In the final story, 'The Peabody,' an older woman (Lilia Skala) sets out to win a dance competition despite warnings that it could endanger her health.

2019 film by Jessica Woodworth, Peter Brosens

Ana is alive and married with Antonio; they arrive in the manor in the countryside of Spain where she worked as a nanny many years ago, for the centennial birthday of the matriarch. In their reunion, she finds that Jose died three years ago; Juan left his wife Luchy; Fernando is still living with his mother and unsuccessfully trying to fly a hang glider; and the three little girls are grown-up. Further, she discovers that the dysfunctional family is completely broken, and Luchy in embezzling mother's money. When Juan arrives for the celebration, he plots with Fernando and Luchy to kill the mother to get the inheritance. Meanwhile, Antonio has a brief affair with Natalia.