一位匿名女子在国际战争罪法庭上讲述她所遭受的酷刑的证词，给戏剧导演路易斯留下了深刻印象，后者决定上演一部改编自该证词的戏剧。
很奇怪这部影片在绍拉的所有电影中是被提及最少的一部，其实绍拉与杰拉丁-卓别林在60-70年代合作的每一部影片都很好，但许多人了解的似乎还停留在《饲养乌鸦》《安娜与狼》《艾丽莎我的爱》等几部上面。。。为什么同样甚至更为出色的《被蒙上的双眼》从未被出版过？
嘎纳影展金棕榈提名。西班牙剧作家协会最佳剧本奖。
The film is filled with unforgettable imagery and haunting moments. Except for two overlong and overdone sequences (ironically, one of which is a dance scene given that Saura's reputation today rests mostly on his dance films), LOS OJOS VENDADOS is one of Saura's strongest films. The final 5 minutes are unforgettable.

On the heels of his award-winning Cria cuevos (Raise Ravens), Spanish filmmaker Carlos Saura dashed off the muted psychological drama Elisa, My Love. Geraldine Chaplin stars as Elisa, who after an absence of 20 years is reunited with her father, Fernando Rey (in a superb performance, which won him the Cannes Film Festival "Best Actor" prize ). Having just divested herself of an unhappy marriage, Elisa hopes to heal old, long-standing family wounds. Inasmuch as Saura thrives on exploring "unspeakable" subjects in his films, one can gather that the relationship between Elisa and her father may be far more complex than it seems at first. Elisa, Vida Mia was released in English-speaking countries as Elisa, My Love.

1989 film by Alain Resnais

After losing her job, making out with her soon-to-be former boss, and finding out that her daughter plans to spend Thanksgiving with her boyfriend, Claudia Larson faces spending the holiday with her unhinged family.

This film is not just one of the great results of Saura and Geraldine Chaplin creative and marital union, but one of the rare movies where the environment, the house here, takes the main role.
The huge, abstract, pre-minimalist concrete house (by Spanish architect Carvajal) transforms itself during the whole film running, setting the path to the main characters paranoia. The images that Saura produces are enigmatic, surrealist, funny, and in a strange way therapeutic, and they are deeply rooted in Spanish cubism and surrealism. It is probably one of the most contemporary and interesting film by the director, not recognized, yes, but a great unexpected value anyway.

Jane Marple solves the mystery when a local woman is poisoned and a visiting movie star seems to have been the intended victim.

2005 erotic drama film directed by Luca Guadagnino

Marple is asked to help Gwenda, a wealthy young woman who has bought a house on the English coast, only to experience disturbing visions. Thanks to Miss Marple's investigations, Gwenda discovers that, instead of spending all her life in India, she had lived in the house as a child. The visions are actually flashes of memory - and she realizes she witnessed the murder of a beautiful woman named "Helen".

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

《重返》这部由卡尔·拉格斐构思、编写并执导的影片，将在2013年12月10日周二，于2013/14“巴黎-达拉斯”高级手工坊系列发布会前首映。影片首映与发布会皆选址于美国达拉斯园博会公园。达拉斯园博会公园坐落于城市中心地段，是一座具有独特装饰艺术建筑风格的历史展览场馆。
在去年5月于新加坡首映的影片《从前……》中，卡尔·拉格斐用镜头展现了香奈儿女士于1913年在杜维埃度过的时光。《重返》则将观众带回1954年的巴黎，再现香奈儿女士重新开设时装设计室的场景，并着重描绘了美国在香奈儿女士这次复出中所扮演的重要角色。
本片阵容豪华，众星云集，除饰演香奈儿女士的Geraldine Chaplin以外，还包括Rupert Everett，Anna Mouglalis，Lady Amanda Harlech，Arielle Dombasle，Kati Nescher，Vincent Darré以及Sam McKnight。本片将于当地时间2013年12月10日下午6点半在达拉斯首映，并于chanel.com同步上映。届时，卡尔·拉格斐也将亲临首映式现场。

Alan Rudolph's "The Moderns" is a wonderful, funny and twisted film set in 1920's Paris, France. The front burner story is a triangle between Nick, his runaway wife and a cold as ice businessman that wants to obtain a higher social status. Nick(Keith Carradine)and Rachel(Linda Fiorentino)were married years ago and she bails out of the marriage. Years later, she shows up on the arms of Bertram Stone (John Lone). While he deals with her reappearance, he is also talked into making art forgeries by a rather shady behaving gallery owner, Valentin(Genevieve Bujold), as a favor for the wealthy Nathalie De Ville(Geraldine Chaplin). His friend, Oiseau (Wallace Shawn)constantly tells Nick that they should head to a new town called Hollywood to seek their fortune and Ernest Hemingway (Kevin J. O'Connor)wanders around in a state of alcoholic cynicism and making quirky observations.
The story, like the period in which the action takes place, is surreal. One scene has one of the dead characters rise from the grave like Houdini, strait-jack, chains and all. The relationship between Nick and Rachel is the heart of the story: Nick doesn't want to trust Rachel because of what she did, but all of his actions throughout the film are a result of Rachel. When he paints the forgeries, he thinks of Rachel's beauty and puts his feelings on canvas. He loves her, but is fighting with the possibility that if he opens his heart to her again, she will break it again. You can see this conflict when he slaps her in front of Stone, yet immediately becomes apologetic. Should he love her, or should he just back off? He clearly does when they share a sexual romp on the bathroom floor while her husband is downstairs.
The entire cast is great, but the best performance comes from O'Connor, who I think is one of the most underrated actors around.
This is a great movie to have if you feel like having a Paris night movie marathon, or just to have fun.

Seances presents a new way of experiencing film narrative, framed through the lens of loss. In a technical feat of data-driven cinematic storytelling, films are dynamically assembled in never-to-be-repeated configurations. Each exists only in the moment, with no pausing, scrubbing or sharing permitted, offering the audience one chance to see this film before it disappears.
The project was born from the mind of one of the world’s foremost outré directors, Guy Maddin, who has long been haunted by the idea that 80% of films from the silent era are lost. Driven by the desire to reincarnate this vanished history, an abundance of these films have been reimagined by Maddin and brothers Evan and Galen Johnson, with the express goal of combining and recombining them to create infinite narrative permutations.

Julien and Marguerite de Ravalet, son and daughter of the Lord of Tourlaville, have loved each other tenderly since childhood. But as they grow up, their affection veers toward voracious passion.

法国大导阿伦雷乃1983年作品。本片用三个故事阐述他的观点，同时向法国电影史上三位巨人致敬：梅里爱、莱皮埃、侯麦。第一个故事发生在1914年，一个贵族建立了“幸福殿堂”，邀请一帮朋友，给他们一剂特殊的药，然后把他们放进巨大的摇篮，让他们重新回到“孩提时代”；第二个故事发生在当代，依然是那个宫殿，一群专家正在召开研讨会，讨论“想像力教育”。穿插在两个故事之间是一个古代魔幻故事，讲一群森林里的孩子梦幻一场坏国王和好骑士的战争。

1600年，人类发明照相机的很多年以前，一位名叫吉罗拉莫的科学家就在为记录图像的方法着迷。他发现，如果将刚刚被杀死的人的眼球取下，就可以在纸上得到这个人临死前视网膜上留下的图像，他把这项“技术”称为“死亡照相术”。几百年后，一所电影学院的年轻学生偶然发现了他留下来的古老的“照相机”……

马克斯身患癌症，执意到巴黎度过他最后的日子。他有三个儿子，都赶来探望父亲。他最小的儿子维克托，细心并且善良，发现父亲似乎隐瞒着什么。一天，马克斯要他帮忙到医院外面拨一个奇怪的电话，维克托发现这个号码竟然是空号。随着对父亲的逐渐了解，他知道了马克斯一直在寻找兰赛尔，他到底是谁？马克斯为什么要在临死前找到他？各种疑团困扰着维克托，经过一步步的调查，他终于在父亲即将离开人世时了却了他的心愿。

绍拉60年代的“超现实主义三部曲”的第二部，《薄荷刨冰》（1967）、《圣力三重奏》（1968）和《蜂巢》（1969）。三部影片都是由杰拉丁·卓别林主演的，是他们俩合作的黄金时期。
一对青年夫妇费尔南多（费尔南多·赛布里安饰演）和特丽莎（杰拉丁·卓别林饰演）以及好友安东尼奥（胡安·加利亚多饰演）周末出行。汽车行进中，三人闲谈着环境污染、人口剧增等社会问题，特丽莎与安东尼奥下车独处时，费尔南多会拿出望远镜偷窥妻子的举动。帮助路人汽车灭火之后，三人抵达费尔南多的姑姑家，特丽莎的情绪非常低落，而费尔南多对妻子的不信任还在加剧。
三人来到出行的终点-海边，费尔南多对于特丽莎的猜忌达到顶峰，在他看来，好友安东尼奥和妻子特丽莎举止暧昧，毫不顾忌他的感受。混沌之中，他隐约看到安东尼奥和特丽莎偷情，最终自己用鱼枪将安东尼奥刺死。然而，这些都是费尔南多臆想的产物，三人在天黑前平安返回。

2015 film by Guy Maddin

A chronicle of the life of a middle-class French girl's sexual adventures, her then fall into prostitution, and her ultimate redemption.

Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH, James thinks up the ultimate plan - that every agent will be named 'James Bond'. One of the Bonds, whose real name is Evelyn Tremble is sent to take on Le Chiffre in a game of baccarat, but all the Bonds get more than they can handle.