A Feature documentary on the late Elia Kazan.
Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.

1999 film by Martin Scorsese

第67届金球奖已于北京时间1月18日（周一）上午揭晓，《阿凡达》一举拿下最佳影片（剧情类）和最佳导演2项大奖，成为本届最大赢家。小罗伯特·唐尼爆冷最佳音乐/喜剧类男主角，《飞屋》名至实归最佳动画长片。而在前哨战创造了无数佳绩的《在云端》和《拆弹部队》，最终前者仅获得最佳编剧奖，后者以3项提名0项获奖的落差，成为本届最大杯具。
电影类获奖名单
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【最佳影片】（剧情类）
阿凡达（Avatar）
【最佳影片】（音乐/喜剧类）
宿醉（The Hangover）
【最佳导演】
詹姆斯·卡梅隆《阿凡达》/ James Cameron, Avatar
【最佳男主角】（剧情类）
杰夫·布里奇斯《疯狂的心》/ Jeff Bridges, Crazy Hearts
【最佳女主角】（剧情类）
桑德拉·布洛克《弱点》/ Sandra Bullock, The Blind Side
【最佳男主角】（音乐/喜剧类）
小罗伯特·唐尼《福尔摩斯》/ Robert Downey Jr., Sherlock Holmes
【最佳女主角】（音乐/喜剧类）
梅丽尔·斯特里普《朱莉与朱莉娅》/ Meryl Streep, Julie & Julia
【最佳男配角】
克里斯托弗·沃尔茨《无耻混蛋》/ Christoph Waltz, Inglourious Basterds
【最佳女配角】
莫妮克《珍爱》/ Mo'Nique, Precious: Based on the Novel Push by Sapphire
【最佳编剧】
杰森·利特曼、谢尔顿·特纳《在云端》/ Jason Reitman, Sheldon Turner, Up in the Air
【最佳动画长片】
飞屋环游记（Up）
【最佳外语片】
白丝带（The White Ribbon，德国）
【最佳配乐】
迈克·吉亚奇诺《飞屋环游记》/ Michael Giacchino, Up
【最佳歌曲】
"The Weary Kind" -《疯狂的心》（Crazy Heart）
电视类获奖名单
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最佳电视剧（戏剧类）
广告狂人（Mad Men）
最佳电视剧女主角（戏剧类）
朱丽安娜· 玛格丽丝《傲骨贤妻》/ Julianna Marguilies, The Good Wife
最佳电视剧男主角（戏剧类）
迈克尔·C·豪尔《双面法医》/ Michael C. Hall, Dexter
最佳电视剧（音乐/喜剧类）
欢乐合唱团（Glee）
最佳电视剧女主角（音乐/喜剧类）
托妮·科莱特《塔拉共和国》/ Toni Collette, United States of Tara
最佳电视剧男主角（音乐/喜剧类）
亚历克·鲍德温《我为喜剧狂》/ Alec Baldwin, 30 Rock
最佳电视电影/迷你剧集
灰色花园（Grey Gardens）
最佳电视电影/迷你剧集女主角
德鲁·巴里摩尔《灰色花园》/ Drew Barrymore, Grey Gardens
最佳电视电影/迷你剧集男主角
凯文·贝肯《护送钱斯》/ Kevin Bacon, Taking Chance
最佳女配角
科洛·塞维尼《大爱一场》/ Chloe Sevigny, Big Love
最佳男配角
约翰·利特高《双面法医》/ John Lithgow, Dexter

瑞典导演斯蒂格•比约克曼(Stig Björkman)第二部关于伯格曼的纪录片在2010年的戛纳电影节的经典单元中首映，名为《…但是电影是我的情妇》(…but Film is My Mistress)。这部电影由丽芙•乌尔曼引领，串起伍迪•艾伦、奥利维耶•阿萨亚斯、贝纳多•贝托鲁奇、阿诺•德布莱辛、约翰•塞勒斯、马丁•斯科塞斯、拉斯•冯•特里尔等人的评述，包括对伯格曼及其电影的评价以及对自己的影响。

Spike Lee pays tribute to Michael Jackson's Bad on the twenty-fifth anniversary of the epochal album, offering behind-the-scenes footage of Jackson recording the album and interviews with confidants, musicians, choreographers, and such music-world superstars as Kanye West, Sheryl Crow, Cee Lo Green and Mariah Carey.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurosawa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdanovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.

摘自

How is French cinema perceived around the world?
Does French cinema really have a strong impact abroad as we would like to believe it does? Does it still serve as a reference point? Where does it stand in terms of world cinema? What emotions has it stimulated in filmmakers around the world? Has it influenced them, and if so, in what ways? Is it still a source of inspiration for them?
To coincide with UniFrance films' 65th anniversary, we asked foreign actors, actresses, and directors to tell us what they love about our cinema.
French Cinema Mon Amour is an ensemble film in which each contributor brings their own voice, their own particular approach, their culture, and their language to produce a portrait of French cinema.
"French cinema is cinema. It changed my life, just as my first love changed my life," Alex de la Iglesia

终季回归！Previously on Boardwalk Empire之The Final Shot : A Farewell to Boardwalk Empire. 访谈、试镜片段和角色们各自的favourite scene.

Robert De Niro and Leonardo DiCaprio must compete for the lead role in Martin Scorsese's next film.

TV's most-watched history series brings to life the compelling stories from our past that inform our understanding of the world today.

Herbert Stempel's transformation into an unexpected television personality unfolds as he secures victory on the cherished American game show, 'Twenty-One.' However, when the show introduces the highly skilled contestant Charles Van Doren to replace Stempel, it compels Stempel to let out his frustrations and call out the show as rigged. Lawyer Richard Goodwin steps in and attempts to uncover the orchestrated deception behind the scenes.

1985 film by Martin Scorsese

Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.

Oscar is a small fish whose big aspirations often get him into trouble. Meanwhile, Lenny is a great white shark with a surprising secret that no sea creature would guess: He's a vegetarian. When a lie turns Oscar into an improbable hero and Lenny becomes an outcast, the two form an unlikely friendship.

In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments. Written by Gerhard Windecker {[email protected]}

A documentary on the life and career of one of the most influential film directors of all time, Steven Spielberg.

1973 film by Martin Scorsese

A behind the scenes snapshot of the making of one of the greatest films ever made. Filled with trivia, interviews from cast and crew, and more.