fotovorschlag

216d

<p>Tajines and Coca </p><p>Seen from a minibus, on the road in Ourika valley, 2006.</p><p>Photo theme: from a bus or train<br>'Schnappschuss aus Bus oder Bahn' <a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a> <br><a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/travel/" rel="tag">#travel</a> <a href="/tags/photography/" rel="tag">#photography</a></p>

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207d

<p>Prince Rupert</p><p>British Columbia, December 2015.</p><p>'Blaue Stunde' <a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a> <br><a href="/tags/throwbackthursday/" rel="tag">#throwbackthursday</a> <a href="/tags/sunset/" rel="tag">#sunset</a> <a href="/tags/bc/" rel="tag">#bc</a> <a href="/tags/princerupert/" rel="tag">#princerupert</a> <a href="/tags/photography/" rel="tag">#photography</a></p>

Photograph of the colourful sky after sunset, ranging from blue to orange on the horizon, with in the foreground the silhouette of pillars in water connected by a metal structure, on which a row of gulls are perched almost along their entire length. The water is blue-purple and reflects the orange of the sky.

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110d

<p>Island </p><p>Tofino, 2017.</p><p>'Dinge die mit "I" beginnen oder so aussehen ...' <a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a> <br><a href="/tags/meermittwoch/" rel="tag">#meermittwoch</a> <a href="/tags/seawednesday/" rel="tag">#seawednesday</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/photography/" rel="tag">#photography</a></p>

A black and white photograph of a sandy beach in the foreground and the sea in the distance, with a small rocky island in the middle of the beach, still surrounded by water, its reflection shimmering on the wet sand. The weather is slightly hazy, large waves are rolling onto the beach, and three surfers are visible in the water.

Photographie noir et blanc d'une plage de sable en avant-plan et de la mer au loin, avec une petite île rocheuse sur la plage, encore entourée d'eau en plein milieu, qui se reflète sur le sable mouillé. Le temps est un peu brumeux, de grosses vagues roulent sur la plage et trois surfers sont visibles dans l'eau.

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32d

<p><a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a> 'Nebel, Dunst'<br>Photo suggestion: “Haze, fog”</p>

A monochromatic landscape featuring misty mountains in the background, creating a serene and ethereal atmosphere.

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107d

<p><a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a>: Kleinigkeiten // Little things</p><p><a href="/tags/macro/" rel="tag">#macro</a> <a href="/tags/macrophotography/" rel="tag">#macrophotography</a> <a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/snowflake/" rel="tag">#snowflake</a> <a href="/tags/photography/" rel="tag">#photography</a></p>

Macro photograph in black and white with a slight sepia tint of a very delicate snowflake with perfect symmetry standing upright on a pile of other white snowflakes at the bottom of the photo, and standing out against a dark grey background at the top of the photo.

Photographie macro en noir et blanc avec une légère teinte sépia d'un flocon de neige très délicat à la symmétrie parfaite se tenant droit sur une pile d'autres flocons blancs dans le bas de la photo, et se détachant sur un fond gris foncé dans le haut de la photo.

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94d

<p>‚Ein neuer Anfang‘</p><p><a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a></p>

Frisch entpackter, noch zerknitterter Teil einer Mohnblüte.

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94d

<p>Mein - vielleicht - bestes Foto 2025</p><p><a href="/tags/holgersfotos/" rel="tag">#holgersfotos</a> <a href="/tags/fotovorschlag/" rel="tag">#fotovorschlag</a> <a href="/tags/photosuggestion/" rel="tag">#photosuggestion</a> <a href="/tags/foto/" rel="tag">#foto</a> <a href="/tags/fotografie/" rel="tag">#fotografie</a> <a href="/tags/photo/" rel="tag">#photo</a> <a href="/tags/photography/" rel="tag">#photography</a></p>

Blick von der Rialtobrücke in Venedig über den Canal Grande hin zu einigen Restaurants und Gondeln. Es ist Nacht, die Szene wird von wenigen Lampen an Häusern, Fenstern und den Außenbereichen der Restaurants erleuchtet.

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61d

<p>Sacré-Coeur de Lourdes church, seen through Lourdes Fortified castle bell, France.</p><p>'Kirchen und Glocken' // Churches and bells <a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a> <br><a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/photography/" rel="tag">#photography</a></p>

Black and white photograph of a church steeple in a rural landscape of hills, trees and houses, taken from above through a stone frame in which a metal bell is fixed.

Photographie noir et blanc du clocher d'une église dans un paysage rural de collines, d'arbres et de maisons, prise en surplomb à travers un cadre en pierres dans lequel est fixée une cloche en métal.

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82d

<p>'Objekte die mit "B" beginnen oder so aussehen ... ' <a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a><br><a href="/tags/bahnhof/" rel="tag">#bahnhof</a> <a href="/tags/bahn/" rel="tag">#bahn</a> <a href="/tags/bahnhofsuhr/" rel="tag">#bahnhofsuhr</a></p>

A blurred train is passing through a dimly lit train station at night. A clock is visible in the background, indicating the time. The platform is empty and the scene is atmospheric with limited lighting.

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5d

<p>'Klar Schiff!' <a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a><br>(shipshape)</p>

A maritime deck viewed from a low angle, featuring tall masts and rigging against a clear blue sky. Various ropes and pulleys are visible, along with wooden structures, including benches and a cabin.

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150d

<p>Lady's mantle (Alchemilla sp.)</p><p>Seeds and pods. November 2025.</p><p><a href="/tags/fotovorschlag/" rel="tag">#Fotovorschlag</a> "Nicht ganz scharf aber trotzdem gut" </p><p><a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/macro/" rel="tag">#macro</a> <a href="/tags/bloomscrolling/" rel="tag">#bloomscrolling</a> <a href="/tags/flowers/" rel="tag">#flowers</a> <a href="/tags/photography/" rel="tag">#photography</a></p>

A black and white macro photograph with a touch of sepia of a dozen dried lady's mantle flowers and their seed-filled pods, still on their stems. Other stems and flowers are blurred in the background.

Photographie macro en noir et blanc avec une touche de sepia d'une douzaine de fleurs séchées d'alchemille et de leurs gousses pleines de graines, toujours sur leur tige. D'autres tiges et fleurs sont floues en arrière-plan.

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55d

<p>One more for <a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a><br>“Öffentliche Kunst” / Public art</p><p>Utility boxes in San Francisco, displaying Filipino vocabulary words. Some personal thoughts in the alt text.</p><p><a href="/tags/photography/" rel="tag">#photography</a> <a href="/tags/streetphotography/" rel="tag">#streetphotography</a> <a href="/tags/streetart/" rel="tag">#streetart</a> <a href="/tags/filipinoculture/" rel="tag">#Filipinoculture</a> <a href="/tags/sanfrancisco/" rel="tag">#sanfrancisco</a> <a href="/tags/philippines/" rel="tag">#philippines</a></p>

Series of photos showing utility boxes on a city street, displaying flash card-style words in modern Tagalog and ancient Baybayin script, with an accompanying illustration and bordered by patterns inspired by Philippine textiles. This one shows the word “Yakap” (embrace) with a picture of two men hugging.

I’ve called New York home for decades and love my city. But I have to say I felt profoundly SEEN when I visited San Francisco, in a way that I haven’t felt in any other American city and didn’t realize I’d missed and craved. Tagalog translations were matter-of-factly included everywhere, from plaques to museum pamphlets, and even utility boxes in the streets reflected my background and first language. It was as if the entire city, institutionally, was telling me “We recognize the whole of who you are and you are welcome here,” and it shook me to my core. I’m sure Filipinos who actually live there can point out the ways the city falls short of its promise, but this was what I experienced emotionally, and I’ll always be grateful to SF for that.

Second in a series. This utility box features the word “Saranggola” (kite) with an illustration of one.

Third in a series. This utility box features the word “Manok” (chicken) with an illustration of a rooster.

Explanatory text for the utility box art display, which reads:

We Live Here

Filipino Americans have been organizing and serving the BIPOC (Black, Indigenous and People of Color) community in the South of Market for over a hundred years.
This artwork on utility boxes created by artist Mel Vera Cruz in 2020 is a
collaboration with the parents and teachers of the bilingual afterschool program, FEC GALING BATA at Bessie Carmichael and the Filipino Education Center (est. 1969) in the SOMA. This project serves as an example of community empowerment through education in the history of SOMA Pilipinas.

The flashcard design is inspired by the bilingual classes available at the FEC GALING BATA Afterschool Program where multicultural children and children of new immigrant families learn both English and Tagalog. The colorful designs on the card are Vera Cruz's renderings inspired by ihe indigenous Filipino communities that create the handwoven textile, Hinabi. The flashcard itself shows the current Filipino alphabet, and the Ancient Filipino pre-colonial script, Baybayin. This project pays tribute to the parents, and teachers in the immigrant cultural district in the South of Market who instill vital linguistically and culturally responsive services and resources empowering our youth. More information here: somcan.org/welivehere

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56d

<p>Monument to the Unknown Bureaucrat</p><p>Magnús Tómasson (1994), Reykjavik</p><p><a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a> - Öffentliche Kunst // Public art<br><a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/monochromemonday/" rel="tag">#monochromemonday</a> <a href="/tags/fotomontag/" rel="tag">#fotomontag</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/photography/" rel="tag">#photography</a></p>

Black and white photograph of a sculpture depicting a worker in a suit, with shoes and a suitcase in his right hand, his left hand in his trouser pocket. A huge block of Icelandic volcanic basalt replaces the upper half of his body and his head, the same block from which the lower half was carved. The worker "walks" on cobblestones, with a low stone wall behind him and the small artificial lake of Reykjavik visible beyond.

Photographie noir et blanc d'une sculpture représentant un travailleur habilllé en complet, avec chaussures et valise à la main droite, sa main gauche dans sa poche de pantalon. Un énorme bloc de basalte volcanique islandais remplace la moitié supérieure de son corps et sa tête, le même à partir duquel le bas de son corps a été sculpté. Le travailleur "marche" sur du pavé, avec un muret de pierres derrière lui et le petit lac artificiel de Reykjavik visible au-delà.

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26d

<p>'Überlebenskünstler' <a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a> <br><a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/fog/" rel="tag">#fog</a> <a href="/tags/winter/" rel="tag">#winter</a> <a href="/tags/photography/" rel="tag">#photography</a></p>

A black and white photograph of wildflowers in the center, protruding from a thick layer of snow, at the edge of a completely snow-covered field, disappearing behind it into the white mist. The plants are at eye level. In the foreground, a dirty bank of snow, more than 1 meter deep, is cut straight across by the snowplow.

Photographie noir et blanc de fleurs sauvages en plein centre, dépassant d'une épaisse couche de neige, en bordure d'un champ complètement enneigé, disparaissant derrière dans le brouillard blanc. Les plantes sont à la hauteur des yeux. Devant, le banc de neige sale de plus de 1m est coupé droit par la gratte.

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6d

<p>Jenseits // Beyond // Au-delà</p><p><a href="/tags/fotovorschlag/" rel="tag">#FotoVorschlag</a> <br><a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/architecture/" rel="tag">#architecture</a> <a href="/tags/photography/" rel="tag">#photography</a></p>

Black and white photograph taken at the end of a long, narrow, high tunnel, showing a bright light at the other end, like the light seen by a person approaching death. In reality, it is a long corridor in a medieval French castle, with stone walls pierced by very small windows, and a wooden roof and structures supporting it. A ceiling window also sends light along the walls halfway.

Photographie noir et blanc prise au bout d'un long tunnel étroit et haut, montrant une lumière brillante à l'autre bout, comme la lumière vue par une personne approchant la mort. En réalité, il s'agit d'un long couloir dans un château médiéval français, avec des murs de pierre percés de très petites fenêtres, et un toit et des structures en bois le soutenant. Une fenêtre au plafond envoie aussi de la lumière le long des murs à mi-chemin.

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