A new edition of the highly acclaimed book Multiculturalism and "The Politics of Recognition," this paperback brings together an even wider range of leading philosophers and social scientists to probe the political controversy surrounding multiculturalism. Charles Taylor's initial inquiry, which considers whether the institutions of liberal democratic government make room--or should make room--for recognizing the worth of distinctive cultural traditions, remains the centerpiece of this discussion. It is now joined by Jrgen Habermas's extensive essay on the issues of recognition and the democratic constitutional state and by K. Anthony Appiah's commentary on the tensions between personal and collective identities, such as those shaped by religion, gender, ethnicity, race, and sexuality, and on the dangerous tendency of multicultural politics to gloss over such tensions. These contributions are joined by those of other well-known thinkers, who further relate the demand for recognition to issues of multicultural education, feminism, and cultural separatism. Praise for the previous edition:

The first sleep book by a leading scientific expert—Professor Matthew Walker, Director of UC Berkeley’s Sleep and Neuroimaging Lab—reveals his groundbreaking exploration of sleep, explaining how we can harness its transformative power to change our lives for the better.
Sleep is one of the most important but least understood aspects of our life, wellness, and longevity. Until very recently, science had no answer to the question of why we sleep, or what good it served, or why we suffer such devastating health consequences when we don't sleep. Compared to the other basic drives in life—eating, drinking, and reproducing—the purpose of sleep remained elusive.
An explosion of scientific discoveries in the last twenty years has shed new light on this fundamental aspect of our lives. Now, preeminent neuroscientist and sleep expert Matthew Walker gives us a new understanding of the vital importance of sleep and dreaming. Within the brain, sleep enriches our ability to learn, memorize, and make logical decisions. It recalibrates our emotions, restocks our immune system, fine-tunes our metabolism, and regulates our appetite. Dreaming mollifies painful memories and creates a virtual reality space in which the brain melds past and present knowledge to inspire creativity.
Walker answers important questions about sleep: how do caffeine and alcohol affect sleep? What really happens during REM sleep? Why do our sleep patterns change across a lifetime? How do common sleep aids affect us and can they do long-term damage? Charting cutting-edge scientific breakthroughs, and synthesizing decades of research and clinical practice, Walker explains how we can harness sleep to improve learning, mood, and energy levels; regulate hormones; prevent cancer, Alzheimer’s, and diabetes; slow the effects of aging; increase longevity; enhance the education and lifespan of our children, and boost the efficiency, success, and productivity of our businesses. Clear-eyed, fascinating, and accessible, Why We Sleep is a crucial and illuminating book

In 1939, five-year-old Jacques Austerlitz is sent to England on a Kindertransport and placed with foster parents. This childless couple promptly erase from the boy all knowledge of his identity and he grows up ignorant of his past. Later in life, after a career as an architectural historian, Austerlitz - having avoided all clues that might point to his origin - finds the past returning to haunt him and he is forced to explore what happened fifty years before.

For physics students interested in the mathematics they use, and for math students interested in seeing how some of the ideas of their discipline find realization in an applied setting. The presentation strikes a balance between formalism and application, between abstract and concrete. The interconnections among the various topics are clarified both by the use of vector spaces as a central unifying theme, recurring throughout the book, and by putting ideas into their historical context. Enough of the essential formalism is included to make the presentation self-contained.

In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China’s most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas.
In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of “scenic illusion paintings” (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong’s world.

Mi Fu, one of the most celebrated figures in the history of Chinese art, was a prominent calligrapher in eleventh-century China. A member of the educated elite, or literati, he also contributed a great deal to discussions of theoretical issues of function and style in calligraphy, the primary means of graphic expression for the literati. In this book Peter Sturman examines Mi Fu's calligraphy within the framework of the artist's fascinating life, the Northern Song culture in which he lived, and the literati theory of art he helped to formulate. The book is both chronological and topical, following Mi Fu's efforts to develop styles of calligraphy that would communicate his social and personal ideals as they changed according to his place in Song society: as connoisseur of the arts, responsible official, man among mountains and streams, and Daoist talent in the service of the emperor. Sturman's detailed analyses, which consider the content as well as the style of the writing, firmly set Mi Fu's calligraphy in the fabric of Northern Song history. At the same time, Sturman shows how Mi Fu's relationship with the history of calligraphy both before and after him illuminates this most Chinese of arts.

In their second collaboration, biographers Jimmy Soni and Rob Goodman present the story of Claude Shannon—one of the foremost intellects of the twentieth century and the architect of the Information Age, whose insights stand behind every computer built, email sent, video streamed, and webpage loaded. Claude Shannon was a groundbreaking polymath, a brilliant tinkerer, and a digital pioneer. He constructed the first wearable computer, outfoxed Vegas casinos, and built juggling robots. He also wrote the seminal text of the digital revolution, which has been called “the Magna Carta of the Information Age.” In this elegantly written, exhaustively researched biography, Soni and Goodman reveal Claude Shannon’s full story for the first time. With unique access to Shannon’s family and friends, A Mind at Play brings this singular innovator and always playful genius to life.

How did ordinary people in the Ming dynasty (1368-1644) deal with the demands of the state? In The Art of Being Governed, Michael Szonyi explores the myriad ways that families fulfilled their obligations to provide a soldier to the army. The complex strategies they developed to manage their responsibilities suggest a new interpretation of an important period in China's history as well as a broader theory of politics.
Using previously untapped sources, including lineage genealogies and internal family documents, Szonyi examines how soldiers and their families living on China's southeast coast minimized the costs and maximized the benefits of meeting government demands for manpower. Families that had to provide a soldier for the army set up elaborate rules to ensure their obligation was fulfilled, and to provide incentives for the soldier not to desert his post. People in the system found ways to gain advantages for themselves and their families. For example, naval officers used the military's protection to engage in the very piracy and smuggling they were supposed to suppress. Szonyi demonstrates through firsthand accounts how subjects of the Ming state operated in a space between defiance and compliance, and how paying attention to this middle ground can help us better understand not only Ming China but also other periods and places.

"Of those who created the intellectual capital used to launch the enterprise of professional sociology, Georg Simmel was perhaps the most original and fecund. In search of a subject matter for sociology that would distinguish it from all other social sciences and humanistic disciplines, he charted a new field for discovery and proceeded to explore a world of novel topics in works that have guided and anticipated the thinking of generations of sociologists. Such distinctive concepts of contemporary sociology as social distance, marginality, urbanism as a way of life, role-playing, social behavior as exchange, conflict as an integrating process, dyadic encounter, circular interaction, reference groups as perspectives, and sociological ambivalence embody ideas which Simmel adumbrated more than six decades ago."--Donald N. Levine
Half of the material included in this edition of Simmel's writings represents new translations. This includes Simmel's important, lengthy, and previously untranslated "Group Expansion and Development of Individuality," as well as three selections from his most neglected work, "Philosophy of Money"; in addition, the introduction to "Probleme der Geschichtsphilosophie," chapter one of the "Lebensanschauung," and three essays are translated for the first time.

Few writers distinguish themselves by their ability to write about complicated, even obscure topics clearly and engagingly. In Chaos, James Gleick, a former science writer for the New York Times, shows that he resides in this exclusive category. Here he takes on the job of depicting the first years of the study of chaos--the seemingly random patterns that characterise many natural phenomena.
This is not a purely technical book. Instead, it focuses as much on the scientists studying chaos as on the chaos itself. In the pages of Gleick's book, the reader meets dozens of extraordinary and eccentric people. For instance, Mitchell Feigenbaum, who constructed and regulated his life by a 26-hour clock and watched his waking hours come in and out of phase with those of his coworkers at Los Alamos National Laboratory.
As for chaos itself, Gleick does an outstanding job of explaining the thought processes and investigative techniques that researchers bring to bear on chaos problems. Rather than attempt to explain Julia sets, Lorenz attractors and the Mandelbrot Set with gigantically complicated equations, Chaos relies on sketches, photographs and Gleick's wonderful descriptive prose. --Christine Buttery

When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness and death that centres on the lives of the women and children of a hillside "favela". Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, the author follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage. It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing - and controversial - is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live. The author also wrote "Saints, Scholars and Schizophrenics: Mental Illness in Rural Ireland".

- The book argues that ignorance, not knowledge, is what drives science
- The book provides a fascinating inside-view of the way every-day science is actually done
- The book features intriguing case histories of how individual scientists use ignorance to direct their research
Knowledge is a big subject, says Stuart Firestein, but ignorance is a bigger one. And it is ignorance—not knowledge—that is the true engine of science.
Most of us have a false impression of science as a surefire, deliberate, step-by-step method for finding things out and getting things done. In fact, says Firestein, more often than not, science is like looking for a black cat in a dark room, and there may not be a cat in the room. The process is more hit-or-miss than you might imagine, with much stumbling and groping after phantoms. But it is exactly this "not knowing," this puzzling over thorny questions or inexplicable data, that gets researchers into the lab early and keeps them there late, the thing that propels them, the very driving force of science. Firestein shows how scientists use ignorance to program their work, to identify what should be done, what the next steps are, and where they should concentrate their energies. And he includes a catalog of how scientists use ignorance, consciously or unconsciously—a remarkable range of approaches that includes looking for connections to other research, revisiting apparently settled questions, using small questions to get at big ones, and tackling a problem simply out of curiosity. The book concludes with four case histories—in cognitive psychology, theoretical physics, astronomy, and neuroscience—that provide a feel for the nuts and bolts of ignorance, the day-to-day battle that goes on in scientific laboratories and in scientific minds with questions that range from the quotidian to the profound.
Turning the conventional idea about science on its head, Ignorance opens a new window on the true nature of research. It is a must-read for anyone curious about science.

Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists—these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore.
Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting.
This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia.

Bertrand Russell was one of the greatest logicians since Aristotle, and one of the most important philosophers of the past two hundred years. As we approach the 125th anniversary of the Nobel laureate's birth, his works continue to spark debate, resounding with unmatched timeliness and power.
The Problems of Philosophy, one of the most popular works in Russell's prolific collection of writings, has become core reading in philosophy. Clear and accessible, this little book is an intelligible and stimulating guide to those problems of philosophy which often mistakenly lead to its status
as too lofty and abstruse for the lay mind. Focusing on problems he believes will provoke positive and constructive discussion, Russell concentrates on knowledge rather than metaphysics, steering the reader through his famous 1910 distinction between "knowledge by acquaintance and knowledge by
description," and introducing important theories of Descartes, Kant, Hegel, Hume, Locke, Plato, and others to lay the foundation for philosophical inquiry by general readers and scholars alike.
With a new introduction by John Perry, this valuable work is a perfect introduction to the field and will continue to stimulate philosophical discussion as it has done for nearly forty years.

An invaluable guide to the art and mind of Virginia Woolf, drawn by her husband from the personal record she kept over a period of twenty-seven years. Included are entries that refer to her own writing, others that are clearly writing exercises; accounts of people and scenes relevant to the raw material of her work; and comments on books she was reading. Edited and with a Preface by Leonard Woolf; Indices.

About the book:
In the work of Joseph Mallord William Turner (1775-1851) lies an impact akin to a sudden acquisition of sight. His landscapes and seascapes scorch the eye with such ravishing light and color, with such elemental force, it is as if the sun itself were gleaming out of the frame.
Appropriately known as “the painter of light”, Turner worked in print, watercolor, and oils to transform landscape from serene contemplative scenes to pictures pulsating with life. He anchored his work to the River Thames and to the sea, but in the historical context of the Industrial Revolution, also integrated boats, trains, and other markers of human activity, so as to juxtapose the thrust of civilisation against the forces of nature.
This book covers Turner's illustrious, wide-ranging repertoire to introduce an artist who combined a traditional genre with a radical modernism.
约瑟夫·玛罗德·威廉·透纳(1775-1857)的作品总是带给人一种重见光明般的震撼。透纳在风景画中刻画的光影色彩和自然张力是那么的夺人眼球，让人觉得画框里闪耀发光的就是真正的太阳。
透纳作为著名的“光线画家”，不管是采用版画、水彩，还是油画，都能巧妙地将静谧景色转变成充满生命张力的画面。透纳取景偏爱泰晤士河和海面而不是工业革命背景下的历史景象，但透纳也融合了船只、火车和其他人类活动的标记，在大自然中镌刻了文明的印记。
本书将介绍透纳这位将现代主义融合在传统体裁中的画家，书中几乎涵盖了透纳的全部作品。
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About the series（Basic Art Series 2.0）:
Basic Art was born back in 1985 with the very first original TASCHEN publication: Picasso. Since then, the series has evolved into the best-selling art book collection ever published, offering succinct slimline artist introductions across 200 titles, translated into some 20 languages.
For its 30th anniversary, we have given this much-loved series a makeover: Basic Art 2.0, freshly designed, revised, and hardcover bound, but still with the same rock-bottom price tag!
系列简介：
1985年， Basic art系列的首部著作《毕加索》问世，开启了德国TASCHEN出版公司的艺术出版历程。此后的30余年中， Basic art系列始终坚持以简洁、精练的笔法勾勒艺术家们的世界，内容不断充裕，培养了众多忠实读者，成为多年居销量榜首的经典艺术书系。
时至今日，此系列已出版图书近200种，更有多达20种的各国语言版本在世界范围内发行，具有极高的口碑和影响力。

夏伊勒三卷本回忆录的第一卷，另两卷是《噩梦年代：1930—1940》《旅人迟归：1945—1988》。
夏伊勒出生于世纪之交的美国中西部小镇，为了逃离那里的保守氛围，夏伊勒来到欧洲，找到了一份报社的工作。夏伊勒在伦敦报道温布尔登网球锦标赛，在巴黎报道林德伯格的跨大西洋飞 行，在日内瓦报道国际联盟的会议。作为记录者，夏伊勒见证了菲茨杰拉德夫妇、海明威、格特鲁德·斯泰因、伊莎朵拉·邓肯等人的生活片段，有时自己也置身其中。对于大洋彼岸的故事——芝加哥的地下之王、“猴子审判”、风靡全美的“肖托夸集会”、哈定时代的丑闻等等，夏伊勒也娓娓道来。一幅欧美大陆世纪初生的画卷徐徐展开。
夏伊勒三卷本回忆录的第二卷，另两卷是《世纪初生：1904—1930》《旅人迟归：1945—1988》。
面对纳粹魔鬼突然出现的严峻考验，夏伊勒受命前往柏林报道。夏伊勒亲眼见证希特勒攫取权力，横扫欧洲，在与纳粹新闻审查机制的斗争中跟踪报道了把世界拖向战争的每一次重要会议，并随德军的铁骑前往比利时、法国。文字中展现了丰富的历史细节，带有强烈的个人视角和临场感，堪称《第三帝国的兴亡》的“导演评论音轨”。
夏伊勒三卷本回忆录的第三卷，另两卷是《世纪初生：1904—1930》《噩梦年代：1930—1940》。
1940年，阔别祖国十五年的夏伊勒返回了美国，继续对战争的广播报道。冷战到来，麦卡锡主义席卷美国，夏伊勒因“左翼”倾向名列《赤色频道》刊物，由此丢掉了工作，与老友默罗反目，不得不靠写作和演讲勉强度日。写作生涯起起伏伏，《第三帝国的兴亡》又掀起了舆论的轩然大波，给美德关系制造了麻烦。随着时间流逝，旧友接连故去，夏伊勒最后一次来到欧洲故地重游，看到以前心仪的街道和美食，却有心无力，无限唏嘘。

In "American Exceptionalism: An Experiment in History," Charles Murray describes how America’s geography, ideology, politics, and daily life set the new nation apart from Europe in the 18th and 19th centuries. He then discusses the ways that exceptionalism changed during America’s evolution over the course of the 20th century. Which changes are gains to be applauded? Which are losses to be mourned? Answering these questions is the essential first step in discovering what you want for America’s future.

The authors of this ambitious book address a fundamental political question: why are leaders who produce peace and prosperity turned out of office while those who preside over corruption, war, and misery endure? Considering this political puzzle, they also answer the related economic question of why some countries experience successful economic development and others do not.The authors construct a provocative theory on the selection of leaders and present specific formal models from which their central claims can be deduced. They show how political leaders allocate resources and how institutions for selecting leaders create incentives for leaders to pursue good and bad public policy. They also extend the model to explain the consequences of war on political survival. Throughout the book, they provide illustrations from history, ranging from ancient Sparta to Vichy France, and test the model against statistics gathered from cross-national data. The authors explain the political intuition underlying their theory in nontechnical language, reserving formal proofs for chapter appendixes. They conclude by presenting policy prescriptions based on what has been demonstrated theoretically and empirically.